{"updated":"2026-10-21T17:13:05Z","content_md":"Saw the Elizabeth Holmes \/ Nathan Fielder movie You Can See Everything yesterday. Very good as reviews say. Ir reminded me of Orson Welles' F for Fake in the way it used the medium to play with different levels of simulation. Holmes' apparently pyschopathology pairs well with Fielder's relentless interrogating of basic human interaction.","changelog":[{"version":1,"at":"2026-10-21T17:13:05Z","note":null}],"created":"2026-10-21T17:13:05Z","page":"f\/7h0a0ang8q7n0axe1mpgs0w987\/","content_hash":"sha256:38a0a9a955a709e518d7904e2534039e45fc90f964fa975b0746a56c2f10c99d","id":"7h0a0ang8q7n0axe1mpgs0w987","kind":"fragment","origin":"https:\/\/ammdi.hyperphor.com\/blyg\/","content_html":"<div><span>Saw the Elizabeth Holmes \/ Nathan Fielder movie <i>You Can See Everything<\/i> yesterday. Very good as reviews say. Ir reminded me of Orson Welles&apos; <i>F for Fake<\/i> in the way it used the medium to play with different levels of simulation. Holmes&apos; apparently pyschopathology pairs well with Fielder&apos;s relentless interrogating of basic human interaction. <\/span><\/div>","version":1,"media":[],"blyg":"0.3"}